Each piece presents a tongue-in-cheek vignette exploring histories of gender and sexuality, using humor and pop references as entry points into broader topics such as love and life as a woman. Similar to King, Nolen’s figures reshape traditional art historical canons, combining aesthetics of classical busts and antiquated vases with dreamlike prints. The work explores fluctuations between psychological dichotomies such as frailty and resilience, failure and triumph in convoluted compositions representing the perpetually transitioning internal landscapes of the self. For both artists, narrative lies at the core of their practice, told with the physical and historical properties of ceramics, and forms the crossroads where their work intersects.
Monday–Friday: 9:00 a.m. – 8:00 p.m.
Saturday–Sunday: Noon – 8:00 p.m.
Hours are subject to change when the college is not in session.